Bullets Over Broadway

Sometimes you go to the theater and leave changed by what you just witnessed. Thinking about life differently and all that. Other times you just want to be entertained. And that is exactly what the touring production Bullets Over Broadway at the newly named PrivateBank Theatre did for me last night.

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I was amazed at the choreography and always enjoy tap dancing (especially if it’s a group of mobsters!). Laughter was constant throughout the entire show. And who doesn’t love jokes filled to the brim with sexual innuendos?

The male lead David Shayne, played by Michael Williams, was a mix between NPH, Matthew Morrison, and Gene Kelly. So nothing wrong with that! Very entertaining with great facial expressions. Jemma Jane, who played Olive, did the dumb blonde act perfectly well for someone fresh out of AMDA. My favorite was Cheech played by Jeff Brooks, who played the tough guy gangster who could amazingly write a play that people loved. His character is supposed to be unlikable by nature but instead ends up being a crowd favorite. For a guy that played Gaston in the Beauty and the Beast tour, he plays a goofy “bad guy” perfectly.

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The bad of this show? The jokes sometimes fell flat. Also the set handling. Oh my lord the set handling. You could see the screen said “Bullets Over Broadway” before the fake machine gun fired the “holes” into the backdrop. Not cute. There was one moment for over a minute a brick wall was swaying back and forth. And then the top portion of the Boston “set” couldn’t decide if it wanted to be up or down (or the person operating it couldn’t). It was very much amateur hour up there in terms of the stage handling. Also, the intermission kept going and going after everyone was seated for a good 5 minutes. I didn’t think to clock it but it was a “are we going to start soon” and “why on earth did I leave the bar line 15 minutes ago when they flashed the lights” muttering among the crowd.

Also, can someone tell me what on earth the “Yes! We Have No Bananas” was suppose to be about? I got completely lost after that. And my wife had no clue either.

The staging was sometimes larger than life with the train sequences. The tap-dancing was on point. The extended ovation for “Tain’t Nobody’s Biz-ness If I Do” was well deserved and the highlight of the show. The laughs throughout the theatre were tremendous (side note: there was a gentleman with a laugh SO LOUD he kept scaring everyone around him. Often.). And in the end we learn what matters when it comes to art vs. a human life (or love!). Congrats on another hit and I would love to see the movie if Amazon/Netflix can ever make it available!

And just think…the next show I’ll see here will be Hamilton!  All the squees!

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ALL the tickets!

Yesterday was new subscriber package purchasing day. Which we all know was about to be my favorite day of the year. I was on my phone at 9:58 ready to sit on hold with Broadway in Chicago.

Yesterday I WERKED

The only thing was that there was no queue – you had to keep calling back! Eek. But LUCKILY the musical gods showed me the love and on call #4 a lovely lady by the name of Frankie picked up and I tried not to squeal like a teenager.

And then again my hopes were dashed when I discovered I was just giving my information to a person, not really for certain getting subscriber tickets. I was so confused because in the past I sat on the phone with a person and we picked out my seats together (which is part of the fun of subscribing to theatre packages IMO!). I got off the phone deflated. The excitement was gone.

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BUT on the bus ride home I received a call from Kevin at BIC. Long story short I didn’t have to wait until April to get my golden ticket. My card was charged, my seats were selected (even got all aisle seats as requested), and a wonderful, beautiful email come through last night confirming my dates.  It’s official! So I clinked glasses with my wife and relaxed.

Out of excitement I put the photo below on my Instagram (which you should follow):

It was a strange way to process tickets in my opinion, but I’m also not on their side of things. Being at an institution with a blockbuster exhibition happening, where we get 400 phone calls a day at least, I can only image Broadway in Chicago’s situation.

I will say I wish there was a magical way to sort out the people that wanted to see ALL the shows and not just Hamilton! 😛 But ah well, I’m happy and got my first choice. So kudos to the BIC team and a shout out to their social media person for handling questions, particularly mine, on Twitter!

Now the waiting begins for these shows. Aladdin is over a YEAR away. *cries* But I’m sure it will be here before we know it.